Ochikubo-11

This site gives it a try to read, understand and enjoy a story written in classical Japanese more than a thousand years ago.

Tale of Ochikubo-Hime is a Japanese version of Cinderella which should entertain readers of all ages.

Your joining in this try will be highly welcomed and greatly appreciated.

(Please be informed that this site provides content based on the personal views and opinions of the author of this site.)

 

Dictionaries and books generally used in this site

『落窪物語』(Tale of Ochikubo)(稲賀敬二)(Inaga Keiji)(新潮社 2017)(Shinchosha)

『全訳読解古語辞典(第五版)』(小型版)(Dictionary for Classical Japanese for Reading and Interpretation, 5th edition, pocket type)(鈴木一雄 小池清治 倉田実 石埜敬子 森野崇 髙山善行)(Suzuki Kazuo Koike Seiji Kurata Minoru Isino Keiko Morino Takaki Takayama Yoshiyuki)(三省堂 2021)(Sanseido Co., Ltd.)

『ルミナス和英辞典(第2版)』(Luminous Japanese-English Dictionary)(小島義郎 竹林滋 中尾啓介 増田秀夫)(Kojima Yoshiro Takebayashi Shigeru Nakao Keisuke Masuda Hideo)(研究社 2006)(Kenkyusha Co., Ltd.)

『ニュースクール英和辞典(第二版)』(Kenkyusha New School English-Japanese Dictionary, 2nd edition)(廣瀬和清 伊部哲)(Hirose Kazukiyo Ibe Satoshi)(研究社 2019)(Kenkyusha Co., Ltd.)

 

The original text of Tale of Ochikubo can be found in the website below:

https://www.komazawa-u.ac.jp/~hagi/txt_ochikubomonogatari.txt

 

First of all, we see the characters of this episode of Tale of Ochikubo-Hime.

Characters of this episode

Ukon’no Shoushou has been growing more impatient to go and see Princess Ochikubo. His such irritation may have turned into a condemnation to his foster brother and servant. He may be actually hurt in a severe degree behind his light tone with no response from the Princess.

Tachiwaki was accused of failing to get any message from Princess Ochikubo by a sharp observation of his master. It prompted him to move on behalf of the potential Prince. His determination for success seems to be stronger than ever.

Akoki basically takes the side of Princess Ochikubo but also sympathizes with her husband in part and so seems to do her best both for protection of the Princess and a happy result for all concerned, namely the Princess, Ukon’no Shoushou and her husband. But Kitanokata’s malicious treatment of the Princess blocked the Akoki’s efforts to open the way for happiness of her Princess (and her would-be Prince and her husband).

Ochikubonokimi (Ochikubo-Hime, Princess Ochikubo) seems to have nothing in mind except that no trouble should be secured by all means as for the matters in the real world (as Kitanokata terrifies her). Such state of mind may close the door for happpiness that Akoki and Tachiwaki (and Ukon’no Shoushou) strive to open for the Princess.

Ushouben is the husband of Nakanokimi, the second daughter of Kitanokata. Also clothes of Ushouben Princess Ochikubo seemed to have made without advance notice probably under the order of the stepmother. The Princess did as she was told without considering or taking time for Akoki.

Kitanokata seems to have exerted her influence even without her presence. Her style of control is to use threats and terror, namely brutal suppression. Its effect on Ochikubo-Hime is obvious as she would never try to deviate from the unreasonable imposition of the stepmother. Such invisible power obstructs the attempts of Akoki and Tachiwaki (and Ukon’no Shoushou). How will goodness overthrow vices?

  

Let’s look up the classical Japanese languages below from the text of this episode.

[Classical Japanese Languages Picked Out]

「いみじう物のつつましきうちに、かやうの文もまだ見知らざりければ、いかに言ふとも知らぬにやあらむ。」
(Imijiu-Mono-no-Tsutsumashiki-uchi-ni, Kayou-no-Fumi-mo-Mada-Mishira-zari-kere-ba, Ikani-Iu-tomo-Shira-nu-niya-Ara-n)

いみじ(う)
(Imiji(u))
necessary to avoid/shun because ominous ⇒① (so much as) (in degree) remarkable, excessive, extraordinary, very (much)
② excellent, wonderful, marvelous, superb, splendid ⇒③ glad/happy/pleased very much
①⇒④ extremely, horrible, terrible, dreadful, sad, shameful, miserable, deplorable


(Mono)
a general word vaguely meaning things which can be felt with five senses or thought about ⇒① generalized things in terms of forms, things given a generalized definition
② (certain) things, matter, objects ③ general/ordinary/usual things ④ vaguely implying food and drinks, furniture and fixtures, clothes and clothing, musical instruments, etc. ⑤ what are thought of, what should be said, anything that ought to be told ⑥ general expression of humans and animals ⑦ place which should be visited ⑧ somthing supernatural, demon, vengeful ghost, specter, evil spirit, etc.

つつまし(き)
(Tsutsumashi(ki))
reserve, hesitation, timidity, deffidence, state and feeling of automatic mental tension or strain
⇒① feel awkward, intimidated ② hesitate, refrain due to concern for other people, etc. ③ ashamed, embarrassed

うち
(Uchi)
① inside, inward, within ② inside of a heart ③ during, while ④ (of quantity and amount) within, less than
⑤ the Imperial Court of Japan, the Imperial Palace of Japan ⑥ the Emperor (of Japan), the Mikado
⑦ inside of a house, the interior of a room, house, building, premises ⑧ a spouse living together, own life partner, own wife or husband ⑨ (in contrast to other countries) own country, inside or within the own country
⑩ (in contrast to Confucianism which is called ほか(Hoka)in Japanese meaning outside) Buddhism

いみじう物のつつましきうちに= during much hesitation due to concern for other people

見知る
(Mishiru)
① (of things, etc.) seeing and knowing, understand ② being acquainted, familiar face without much communication, close contact ③ seeing and recognizing, find, notice ④ seeing and understanding, familiar with (all) things ⑤ have an experience

見知らざりければ=見知ら (seeing and knowing, understand) +ざり (not) +けれ (state in the past) +ば (showing the reason/cause)

言ふ
(Iu)
to say a word in an audible voice, often used in calling a name, reciting poetry, asking (for) love, etc.
(to a person) ① say/speak/tell words ② say, name, call ③ rumor, gossip, talk about ④ (portery) compose, recite
(a person) ⑤ propose, ask (for) love ⑥ (animals) make a sound ⑦ (in the form of「○○といわず(—-to-iwazu)」) irrespective of, notwithstanding, regardless of

とも
(Tomo)
adding a vague air/nuance, toning down the affirmation/negation

いかに言ふとも=how to recite/compose a poem for a reply, among other ways of communication

知る
(Shiru)
to learn/acquire things through getting knowledge, understanding, experiencing, etc.
(a person (do) something) ① understand, know, recognize, have discretion ② experience, feel, sense ③ associate with, keep company with, have relation/connection with
(a person) ④ know, understand
in the form of「人に知る(Hito-ni-Shiru)」「人知れず(Hito-Shirezu)」⑤ (to the poeple in the world) known

知らぬにやあらむ=知ら (understand, know) +ぬ (not) +にや (showing question) +あら (showing assertion) +む (showing a guess)

The sentence above is the remark of Ukon’no Shoushou. This shows his heart considerate of Princess Ochikubo but his comment following the sentence above exhibits his emotional conflict. He may feel that he is the only one that does not receive attention of the Princess (however, any man will be treated in the same way if he wants love or marriage with her).

 

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You can read English version of Ochikubo-Hime for charge. (No refund is available.) ([Caution!] This English version is the same one as that provided for charge in the site of おちくぼ物語 in Japanese https://jacl.it-is-the-tale.com.)

English version of Ochikubo-Hime is provided for charge.

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